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• Female filmmakers lead this anthology shedding light on women's issues globally
• Tea Master to Be Honored at Traditional Arts Roundtable
• ‘Boogie at the Bonenkai’ on Dec. 29
• Four Screenings of ‘Pokémon the Movie: The Power of Us’
• New Works Festival at EWP
• ‘Strangers,’ ‘Holdout’ Screening at JANM
• Fujima Kansuma’s 100th Birthday to Be Celebrated at Aratani
• A Sansei Story
• Saved by ‘Sukiyaki’
• ‘Young Stars of the Future’ Features Violinist Kevin Miura

• Andy Murray proves 2016 isn't all bad, receives congrats from J.K. Rowling
• Boy who wrote touching letter to child war victim melts our hearts again
• White nationalists: Not handling their Twitter apocalypse well
• People can't stop lining up their faces with money and it's kind of great
• Watch young Spice Girls sledge dude for sexism 'cos girl power will never die
• New York forms special police hate crime unit after Trump's win
• Direct your Harambe anger at the zoo's gorilla barrier
• Madeleine Albright to millennial voters: Where were you?
• 'Disturbing' — Civil rights groups take on Facebook over ad discrimination
• NYC taxi driver pin

• NBC4 Celebrating APA Heritage
• Party Like It’s 1898
• JAs Demand Justice for ‘Comfort Women’ Survivors
• ‘John Okada’ Author Discussion at JANM
• Hokusai Prints on View at LACMA
• ‘Boogie at the Bonenkai’ on Dec. 29
• Love for the Tulips
• ‘Dance the Night Away’ for Visual Communications
• Female filmmakers lead this anthology shedding light on women's issues globally
• JFLA to Screen ‘Yoko the Cherry Blossom’

• Ready, Set, Go!
• JAPAN HOUSE: Sustainably Stylish for the Holidays
• 'Ishiro Honda' Book
• Nakamura's Relationship Stretches Beyond 'Sisters'
• Cultural Carnival
• JAPAN HOUSE: Sustainably Stylish for the Holidays
• JFLA to Screen ‘Yoko the Cherry Blossom’
• ‘Boogie at the Bonenkai’ on Dec. 29
• A Festival with Aloha Spirit
• Cementing Her Reputation